Free Download Smilla's Sense of Snow, by Peter Hoeg
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Smilla's Sense of Snow, by Peter Hoeg
Free Download Smilla's Sense of Snow, by Peter Hoeg
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From the Publisher
"Splendid entertainment...The suspense novel as exploration of the heart."--The New York Times Book Review"Astonishing."--Los Angeles Times"A superbly constructed thriller...A combination of suspense narrative, Hemingwayeque prose, exotic setting and spellbinding central female."--People"A book of profound intelligence...in the league of Melville or Conrad. Heg writes prose that is bitter, changeable and deep-fathomed as poetry...[it] demands to be read aloud and savored."--The New YorkerNamed Best Book of the Year by Time, Entertainment Weekly and People magazines
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From the Inside Flap
She thinks more highly of snow and ice than she does of love. She lives in a world of numbers, science and memories--a dark, exotic stranger in a strange land. And now Smilla Jaspersen is convinced she has uncovered a shattering crime... It happened in the Copenhagen snow. A six-year-old boy, a Greenlander like Smilla, fell to his death from the top of his apartment building. While the boy's body is still warm, the police pronounce his death an accident. But Smilla knows her young neighbor didn't fall from the roof on his own. Soon she is following a path of clues as clear to her as footsteps in the snow. For her dead neighbor, and for herself, she must embark on a harrowing journey of lies, revelation and violence that will take her back to the world of ice and snow from which she comes, where an explosive secret waits beneath the ice....
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Product details
Paperback: 480 pages
Publisher: Delta; Reprint edition (October 1, 1995)
Language: English
ISBN-10: 0385315147
ISBN-13: 978-0385315142
Product Dimensions:
5.3 x 1 x 8 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
270 customer reviews
Amazon Best Sellers Rank:
#95,764 in Books (See Top 100 in Books)
Captures your interest at first, but then really flags in the middle and the ending is terrible. It just seems to get lost halfway through. The entire section of the book on the ship could have been deleted with no loss, and the ending should have been developed more. I stuck with it to find out what the big mystery was, only to be very disappointed. And then the book just ends, without finding out what happens to the mechanic or any other character.
Now have the hardback version, kindle version, and the film on DVD. What can I say? I love this book. The female protagonist, Smilla has a rich inner life and her thought processes are even more compelling than the action in the novel. This is a thinking person's book. My other top ten books of all time are not fiction and yet Smilla's Sense of Snow has remained on the list for two decades or so. Smilla is a character than cannot be experienced in the film, since so much of the novel is in the first person. The author Peter Hoeg is able to use Smilla to explore complex subjects of parent-child relationships, grief and loss, the sense of being an outsider in one's world, self-sufficiency, self-awareness, etc. I cannot help but be smitten by Smilla's mind. It is amazing to me how real Smilla seems to me as a person. Not as a fictional woman as written by a man, but as a real living, breathing person. I believe that Peter Hoeg has never written anything better. Of course, I am merely a reader and not a literay critic, but I will always love the spirit and resilience of Smilla, even if I can only meet her in this novel. BTW, her fascination with Euclidean geometry, snow, and ice is also an enjoyable and important part of who she is. Being an American, and not experiencing the class discrimination of Groenlanders in modern Danish society, I cannot comment on that, but I can see simitlarities that occur with all marginalized citizens of any society. This book is well worth reading for multiple reasons. I would give it 6 or 10 stars if I could ....
I got halfway through and couldn’t finish it. Parts I liked, especially for the writing, which was often sparse with carefully chosen words. However, it was hard to follow. Sometimes I wasn’t sure which character was being referred to. Pronouns often had no antecedents and sentences no subjects. Then it got sort of weirdly sexual. I’m not a prude, but some of the sexual references were just a little too weird for me. I don’t really care to read about a mid-30’s woman reminiscing about feeling a neglected 6-year-old’s erection against her leg while he was sleeping. It was also too scientific, such as being hard to follow explanations of scientific procedures and terms when the prose used to describe them is sparsely written. By page 197, I just didn’t care about the book nor what happens. The main character was likable but in need of therapy.I saw the movie years ago. It was good. The book, however, drags on, seeming to take almost twice the time needed to tell the story. I gave it two stars because the writing was beautiful in some ways, but I just didn’t care about the story. I wanted to care. I tried, but halfway through a book I expect to at least give a damn. Unfortunately, I didn’t.
It took me a long, long time to read this book, because I had to keep going back and re-reading the beautiful passages. "I feel the same way about solitude as some people feel about the blessing of the church. It's the light of grace for me. I never close my door behind me without the awareness that I am carrying out an act of mercy toward myself." Books like this are why I stopped keeping track of how many books, or pages, I read. I'm doubly fascinated by books of such beauty originally written in languages foreign to me. It speaks to the depth of talent of the translator as well as the author.Smilla reminds me of a 20th-century European version of 19th-century Arkansas Mattie from True Grit (the book), or to a lesser extent, Clarissa in Let the Northern Lights Erase Your Name--women many people will find less than likeable but who willingly, perhaps obsessively, put themselves in serious danger in the pursuit of justice and truth. The subject matter, the questionable death of a child, is tough, and many readers won't like the book's ending that doesn't tie everything up as nicely as some will want. But it seemed appropriate to me. I'm a sucker for piquant last lines, and this one nails it.
I liked the character of Smilla. She reminded me of Elizabeth Salander, the character I liked in the Dragon Tattoo series. . The story was told in an unusual fashion. Often Smilla would be describing a present scene in the first person and then the author would backtrack to provide the details and build an understanding of what Smilla was experiencing. There were a little too many details about the ship in the last 1/3 of the story but I skimmed through some of those descriptive passages. The characters were well developed and the plot was interesting. The ending was quite improbable but worked well enough. I enjoyed the historical and cultural references.
I first read this book years ago. I had forgotten how much I'd enjoyed it. I wish that Peter Hoeg had chosen to do a series of novels with Smilla as the central character. She would have been the female version of Harry Hole of Jo Nesbo's novels. Regardless, I highly recommend this book for anyone who enjoys the darker atmosphere of Scandinavian crime novels.
Beautiful writing. Intelligent plot. Never believed understanding snow, ice, tides, shipping and Greenland could result in something so thought provoking. This book gets under your skin. It finds a place in your memories. I'm a tough review person. Would have given 5 stars if some things had been wrapped up a little tighter. Thanks Peter Hoeg.
if you like detail and interesting viewpoints, this is the book for you. I personally learnt a great deal about snow from the character who is from Greenland. There is much detail regarding the culture of Greenlanders vs. the Danes. I found it enthralling and I love learning about cultures around the world.
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